Solaro brown herringbone suit, white shirt, paisley tie, tall crown panamahat, and lapel pin.
Andrea Luparelli from Satoria Ripense in Rome in a lightbrown gabardine mohair suit. On the left, the business parter of Neapolitan tailor Gennaro Annunziata.
Notice the silk neckerchief.
Yes, women can dress in the same colours. The cut is different, of course.
Speaking about women. Two more shots from Florence and the Pitti Uomo event …
Photo: The Journal of Style
More vintage fabrics have arrived. A few have been in stock before, however most of them are new in stock. The one above is the very last length of an amazing Mario Zegna summer cloth. Check a jacket of mine made up from it. Buy it at the store.
In the photos above and below block checks jacketings for spring and summer from the end of the 1970s. Made by venerable Fossati, an Italian mill founded in 1871. Buy them at the store.
A fancy jacquard weave jacketing in subdued shades. Produced by Ermenegildo Zegna in start of the 1970s. Buy it at the store.
A chic jacquard navy blue blazer jacketing from Ermenegildo Zegna, woven in the start of the 1970s. A design and feel not to be found among modern fabrics. Buy it at the store.
A great high twist summer jacketing in a classic design of tan and PoW plaids. Buy it at the store.
A red-white hopsack summer jacketing. Chic, unique. Woven by Barchietto Zanone in the 1980s. Buy it at the store.
A Donegal speckled tweed jacketing from Mario Zegna. Unique as well. From the late 1980s. Buy it at the store.
In photos above and below, Mario Zegna suitings from the 1980s, perhaps some of the best worsted flannels out there. Alle three in a dogtooth weave. Buy them at the store.
Photos: Grunwald
The popular tight and skimpy southern attire can challenge a big norseman. It easily looks too small on him. In general he should ask the tailor for a classic and a little more roomy cut. Most importantly he should opt for a jacket, which is long enough, that is a jacket, which covers the buttocks. I feel sorry for those big young norsemen, who have ordered narrow and short Italian jackets and trousers. In a few years they will realize they have made a mistake.
That said the big Pitti Uomo guys above dress well. They seem to know what they are doing.
Photo: The Journal of Style
There’s a fine line between retro style men and classic style men. Both love the univers of suit, shirt and tie, however they approach it differently.
The former are less serious in regards to clothing. They play with clothing, they are not afraid to stand out. Retro style men like bespoke clothing but will not spend a fortune, so they buy it second hand. Retro style men are very interested in accessories, colours and patterns.
Classic style men, on the other hand, are obsessed with fit. Moreover, they feel they are continuing a way of dressing, which has never deceased. Classic style men will shy away from items, which they feel are outdated. You will not see classic style men in plus fours and spats.
To use a few terms that a tiresome, you can say that retro style men are postmodernists, wheras classic style men are modernists.
Bueno, is the Pitti Uomo gentleman above a postmodern retro style man or a classic style man?
I’m tempted to put him in the former camp, perhaps due to the panama hat, the outer jacket pockets, the collar pin and the beard. On the other hand, he hasn’t left the classic style tradition entirely. In fact I could confuse him with a classic style man on his way to a garden party on a warm summer’s day.
Photo: The Journal of Style
The Victorians are to blame. They enjoyed detachable starched collars, stiff shirt bib fronts, and starched cuffs. To handle these fashion items they needed small metal studs and cufflinks. Shirt buttons as we know them today were too weak.
When men’s fashion became soft in the 1920s, and when makers started to attach collars and cuffs to the shirt the demand for small metal gizmos dropped. Only cufflinks have really made it through to our age. You notice shirt studs occasionally but almost only on evening wear. You could also say that mainly the Brits have cared for cufflinks. Many men use them with their daily suit in England today unlike in another classic style country like Italy, where men prefer normal barrel cuffs on their shirts. That said if you are interested in fine menswear you must be the owner of two or three pairs of cufflinks at least. There can be no dicussion about that. Here’s a guide to cufflinks.
Oval chain cufflinks are the original cufflinks. Gold in 18 or 14 carat would the most attractive material, however oval cufflinks in silver or guilded silver are not illegal. Plain oval metal cufflinks call for your ingraved initials. Traditional Victorian cufflinks can be round or edged as well. Photos: Aspinal, The Antique Jewellery Company, unknown, and man at breakfast by Alfred Stieglitz (c. 1910)
Enamel cufflinks are classics too. The smart feature is the colour options. Your cufflinks can start reflecting colours in your attire. Blue and wine red shades are the most versatile shades.
The shape of enamel cufflinks can be oval too, yet don’t restrict yourself. They may also be round or rectangle edged. Photos: Longmire, Not on the High Street, Deliver Me Diamonds, 1stdibs, and Natalie Wood & Michael Caine by Bill Ray 
Gemstone cufflinks can be somewhat dubious. They may appear too ostentatious. On the other hand they can be very beautiful indeed. Choose subdued stones. Photos: Jewelry Expert and Seaman Schepps
The noble looking mother of pearl cufflinks have been associated with evening wear. They can add a little interest to a white business shirt as well. Photos: Vintage Cufflinks, IntoVintage, Ede & Ravenscroft og Ragnas Jewelry
Cufflinks in brown materials like horn, tortoise shell, and amber pair well with your brown shoes. They are not the common first choice cufflinks for the business suit, yet give them a thought. Photos: Gumtree, Ruby and Jules, Stitched and Stitched og Latvian Amberstore
Why not try unusual materials … As long as the creator has applied good taste the result can be very useful. In other words, cufflinks in wood, leather or, say, acrylic can be chic indeed. The trick is not to add any striking features to the design. Photos: Grunwald, Palm Beach Antique and Karv
T-bar cufflinks are the most common cufflinks. However that doesn’t make them the most elegant cufflinks. They cheat a little. That said they are very easy to use indeed. Photos: Link Your Shirt, FD Gallery og John Bretton
Silk knots are the daily easy-to-wear cufflinks for the man, who prefers double cuffs shirts. The have the advantage of being very lightweight, and they will not scratch against keyboards or tables. Silk knots are not for evenings. Photos: Emmett, Cufflinks Aficionado og Manuel Racim
The Art Deco movement of the interwar period produced many objects, which have clout today. Snap cufflinks are one of these objects. Take care that the snaps are not too loose, if you buy them vintage. Photos: Baade II og Etsy
Spool cufflinks are another art deco invention. I like their simplicity. You will not find many though. The t-bar models have taken over. Photos: Jewelry Expert og Trocadero
Cufflinks in one piece are a favorite of mine as well. The can become elegant like no other cufflinks. It takes a good designer and goldsmith though. Moreover you should beware of the weight. Cufflinks in one piece can feel a little heavy. Photos: Ragnar R. Jørgensen, Tom Harrison og Ruby Lane
How to use cufflinks
Cufflinks must fit the holes of the shirts cuffs. They do usually but check it. Only t-bar cufflinks are fully safe in that regard.
In terms of colours cufflinks in blue and red shades are the most versatile cufflinks. They can reflect colours in your attire. It is like in the case of ties.
Metal cufflinks and watch cases in the same colour go well together. You can combine gold and silver but different shades of gold are a better starting point.
Cufflinks are not only for shirts with double cuffs (French cuffs). They are for stiff single cuffs as well. In fact in Victorian times they used stiff single cuffs mostly. The former Spanish king Juan Carlos (above) prefers stiff single cuffs and cufflinks.
Go ahead engraving your oval gold cufflinks like Prince Charles, or turn your crest made up from enamel into cufflinks like Prince Philip. Engraved cufflinks might not be for everyday use, unless your are royal but at special events, for instance weddings and baptizings, they are the best options. Photos: Zimbio, The Telegraph and Casa Real
Where to buy cufflinks
If you your are prepared to pay the price you should place an order with a fine goldsmith. Take care that you find one, who has the right sense of style an experience. A cheaper, faster and arguably also fun way is to search the net for vintage cufflinks. There are so many out there. I have collected a few shops here:
Then you have the Ebay and Etsy market places. They are also full of cufflinks. If you just are looking for classic oval English cufflinks ready-to-wear shops like Benson & Clegg are Sayers are worth visiting.
Illustrations: SN