Old men rule Fortezza da Basso in Florence, where Pitti Uomo takes place. Above the first photo ever taken of Lino and Butler shoulder by shoulder.
This gentleman in a polo coat is one of the best.
Butler confusing Claymoor.
Photos: The Journal of Style
I was invited to the annual All Guilds Show at Moltke’s Palace in Copenhagen. It is a marketing effort to promote tailors, goldsmiths, hat makers, and furriers, which like in most Western countries have a hard time making a fair business. Luckily the guilds have a strong patron in Princess Benedikte of Denmark, the sister of the Queen, and they have access to the spendid Moltke’s Palace.
Here you have a few of my pictures from the event.
A paper top hat with a Hans Christian Andersen fairytale
Look whom I met: Butler! He is in Steven Hitchcock, of course.
Photos: The Journal of Style
Butler is the model
Drafing a pattern by “Rock of Eye”
Cutting the canvas on the bias
Full chest coat with drape
At The King’s New Square in Copenhagen
Savile Row tailors travel to the States, and once in a while to Paris, Munich or another big city on the Continent. Copenhagen up north is a very rare destination. Therefore it became an event, when Savile Row tailor Steven Hitchcock and his fiancée Celia paid a visit to Copenhagen last week. Thanks to bespoke tailor Karina Mott in Copenhagen Steven took time to meet people, who are fond of the bespoke world, and he gave a 3-hour master class at The Danish Royal Theater for about 15 Danish and Swedish tailors.
A very interesting thing to hear in the theater was how lightweight cloth has changed cutting. To give an example, Steven explained that the simple traditional Savile Row fish cut in the side of coat doesn’t really work on modern 9, 8 or 7 oz. fabrics. A fish cut relies on molding the cloth in the skirt with the iron, yet you cannot do that with the new lightweight fabrics. Instead you must venture into more sophisticated fabric cutting to smooth out the jacket.
Another thing that I noticed is the amount of work and skills that go into making the canvas. It takes a lot of experience to create a canvas of haircloth and linen, which works well with the specific outer fabric.
Steven also explained his “soft tailoring” approach. Partly it is about the canvas, which he cuts on the bias, and the loose pad stitching. Thereby the jacket chest can drape a bit, and in combination with the rounded shoulders the drape effect creates an illusion of a strong upper body. Moreover, Steven inserts a relatively large upper sleeve into a relatively small armhole. That gives room for a lot of movement. I noticed that some of the Danish and Swedish tailors got surprised by the large difference in measurements between armhole and sleevehead.
Steven’s way of cutting differs from the common method at Savile Row too. For the back he manipulates a block pattern like many others. However, for the front parts and for the armscye he applies “Rock of Eye”, that is, he puts aside tools except for chalk and a tape measure, and then he freehand drafts lines and curves. He was taught that method at Anderson & Sheppard’s, he told us. Rock of Eye gives more freedom to create the pattern as you like, yet it also introduces more risks I guess, and you have to be really good at it to succeed.
All in all it was a pleasure to watch Steven unfolding his craft. The 3-hour class didn’t feel too long at all, even for a layman like yours truly.
The shoulder angle of an English crown prince, whom Steven has made garments for.
Dinner with Butler in Tivoli, and Celia outside the hotel. Photos from Steven and Celia’s Instagram account.
The day after the class at the theater there was a sartorial meet-up at the whisky bar Lidkoeb in Copenhagen. I went for a strong smoky Ardbog whisky.
Bespokesmen in the dusk. From left, bespoke garments from Malcolm Plews, Tobias Enk Steven Hitchcock, Sartoria Ripense, and Steven Hitchcock.
For the American reader I can mention that Steven and Celia will be travelling to New York City and Boston start of October. You may read more at their website.
Photos: The Journal of Style
As you can imagine the sartorial community in Copenhagen is a small community. It is strong nonetheless. We had a meet up in November, and Thursday afternoon some of us met again. In the photo above Butler dresses his royal blue Hitchcock coat in patterns and blue shades.
Jakub in a brown made to measure summer suit, white shirt and Hermès tie.
Shoe show-off. Butler on the right in blue suede loafers, and on the left bespoke summer shoes made up from old style canvas linen.
Jeppe in a fresco suit made by Musella Dembech in Milano.
Michael was bold as always combining colours and patterns nonchalantly. Peter Undén has made the bespoke summer jacket.
The crowd. The bags on the quay boards come from the local makers Broe & Co and Piet Breitholm.
An impeccable summer attire. Seersucker jacket and trousers are bespoke by Ripense in Rome.
You can find a movie clip at Youtube from the meet up here.
Photos: The Journal of Style
The Brits will wear a cut-away coat with black waistcoat and black tie at a funeral, if they follow tradition strictly. Often a dark lounge suit and a white shirt will be enough though.
Butler shows, how you can substitute both cut-away and lounge suit at a funeral for something in between: a black jacket. With greyish striped trousers and black waistcoat the black jacket is a semi-formal colourless daytime attire, which spread after WW1, when cut-aways left the scene.
Unlike the cut-away, which can take a buff waistcoat and a light-hearted tie, I don’t think that the black jacket dress is a good match for a wedding. It is always black, grey, and white, and that appears too serious for a happy event like a wedding. The black jacket is better suited for a funeral.
Jacket & trousers: Steven Hitchcock, London.
Photo: The Journal of Style